Eva and Franco Mattes, (a.k.a. 0100101110101101.ORG)

November 6, 2014 - January 10, 2015

The infamous Italian duo Eva and Fraco Mattes will present a series of works in their trickster vain of conceptual art and tactical media.

Eva and Franco Mattes (1976) are an artist duo originally from Italy, working in New York. Their medium is a combination of performance, video and the Internet, for which they are perhaps best known. Their work explores ethical and moral issues when people interact at distance, especially through social media, creating situations where it is difficult to distinguish reality from a simulation.

Melissa Gronlund, editor of Afterall Magazine, described Mattes’ work as follows: “Whether by obscuring the name of the author, hiding information from the public or presenting false information to (often unwitting) participants in the works they create, the Mattes set up situations in which the viewer’s mistaken assumptions and actions create the form of the work itself”.

Mattes’ work has been exhibited at the Minneapolis Institute of Arts (2013); Site Santa Fe (2012); Sundance Film Festival (2012); PS1, New York (2009); Performa, New York (2007, 2009); ARoS Aarhus Kunstmuseum (2009); National Art Museum of China, Beijing (2008); The New Museum, New York (2005) and Manifesta 4, Frankfurt (2002). In 2001 they were among the youngest artists ever included in the Venice Bienniale.

They have also held conferences at universities, festivals and museums, including Columbia University, New York; RISD, Providence; New York University; Carnegie Mellon, Pittsburgh; College Art Association, New York; Museo Reina Sofia, Madrid; MAXXI, Rome and Musee d’Art Moderne, Paris.

They are founders and co-directors of the international festival The Influencers, held annually at the CCCB, Barcelona, Spain (2004-ongoing).

The Mattes have received grants from the Walker Art Center, Minneapolis; The Museum of Contemporary Art, Roskilde; ICC, Tokyo, and were awarded the New York Prize 2006 from the Italian Academy at Columbia University.

Unattributed Album

Critical Art Ensemble: Keep Hope Alive Block Party + Acceptable Losses

Day Job

Xylor Jane and B. Wurtz

Binary Lore

An Exhibition That Might Exist

Luc Tuymans: Graphic Works - Kristallnacht to Technicolor

Feldman Gallery: Untraceable

Feldman Gallery: The Searchers

Regina Silveira: Outgrown (Tracks and Shadows)

Artist Talk: Amy Bessone

Crisis Image Archives

Artist Talk: Xylor Jane and B. Wurtz

Learn to Read Art: A History of Printed Matter

Quantum Shirley

Between my head and my hand, there is always the face of death.

PNCA Feldman Gallery: Behind the Star

Rearrangutan

“This Just In … Endless War”—Justseeds/Combat Paper Workshop

Jungjin Lee: Wind

An Appearance from Quantum Shirley

Intermation

Topoanalysis

M5

Tear-Sheet

Abigail Anne Newbold: Living Through Making

Eva and Franco Mattes, (a.k.a. 0100101110101101.ORG)

Walkthrough: Learn to Read Art

Between my head and my hand, there is always the face of death.

Artist Talk: Mack McFarland and Marieke Verbiesen

Gathering Thoughts: A People’s Art History

Artist Reception: Xylor Jane and B. Wurtz

Happy Birthday: A Celebration of Chance and Listening

Curator Walkthrough: Kristan Kennedy

Gathering Resistance: Black Lives Matter - The Artists' Call

Thomas Zummer: a partial retrospective of works I should have done

The Shape of the Problem

Curator Walkthrough: It's All A Blur

Web of Trails

Telephone Game

Nina Katchadourian: Sorted Books

It's All A Blur

Day Job Curator Walk Through

Critical Art Ensemble: Acceptable Losses Opening Reception

Feelings and How to Destroy Them

Nina Katchadourian: Sorted Books

Conspiracy Theory: Robert Boyd 2009

Learn to Read Art: A History of Printed Matter

Artist Talk | Bean Gilsdorf