Prativa Shee MFA Applied Craft + Design Thesis 2024

In the tapestry of cultural symbolism, the Swastika is a thread
intricately woven into the fabric of history, spirituality, and
identity. Across India and various Asian cultures, its presence is
adorned with a halo of blissful tranquility and profound reverence.
Prior to the upheavals of World War II, it stood as a beacon of
positivity, devoid of the sinister shadows that would later eclipse its
radiance, and as such, its popularity grew in other cultures and places
as well. In the bustling streets of Detroit, Michigan, a car company
once proudly emblazoned this emblem of auspiciousness upon the fronts of
their vehicles, a testament to its universal resonance. As an Asian
citizen, I have traversed the realms where the Swastika dances freely in
the rituals of daily worship, symbolizing not fear, but rather the
embodiment of good fortune, prosperity, fertility, and unbridled joy.
Yet, upon my arrival in the United States, I encountered an unexpected
tempest of adversity, where the open manifestation and display of this
sacred symbol became fraught with perilous implications. In the Western
world, the Swastika is widely known as a symbol of the German Nazi
Party, which they adopted from Asian cultures in the early 20th century.
The appropriation continues with its use by neo-Nazis around the world.
But in India, the Swastika has always been a symbol of divinity and
spirituality in religions like Hinduism, Buddhism, and Jainism. Even
though the Nazis used it, in India it never lost its original meaning.
So, while it’s connected to hate in some places, in India it’s about
peace and goodness. It’s like two different stories for the same symbol.
While my heart extends its deepest condolences to those communities
scarred by the vile tendrils of hatred, it also aches for the loss of
the Swastika’s exalted glory. Indeed, as stakeholders in the tapestry of
cultural heritage, we, who believe in its good, bear the weighty
responsibility of restoring its luster for the generations yet to come.
It is an injustice of monumental proportions that a symbol so steeped in
benevolence should be shackled by the chains of fear, wielded by those
who have perverted its noble essence for their own nefarious ends. My
thesis project is an invitation to not be bound by the narrow confines
of ignorance and misconception. Our Swastika, with its elegant
ninety-degree angles, stands as a testament to the richness of our
traditions, not as a vessel for bloodshed and malice. We must reclaim
our narrative, casting aside the shadows that have obscured its true
essence, and ushering forth a renaissance of understanding and
acceptance. In the crucible of my thesis, I embark upon a quest to forge
a sanctuary—a sacred space where disparate communities may converge,
their differences dissolving in the crucible of shared humanity and also
letting them be aware of the original meaning of the Swastika. Through a
mélange of dialogue, empathy, and reconciliation, we shall stitch
together the frayed edges of our fractured world, weaving a new
narrative of peace and harmony. It is my fervent hope that through the
illumination of knowledge and the transcendence of prejudice, we may
unveil the beauty that lies dormant within the Swastika, transforming it
once more into a symbol of unity, compassion, and boundless
possibility. Let us climb aboard for this journey together, casting
aside the shadows of the past and embracing the radiant dawn of a
brighter, more inclusive tomorrow.

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MFA in Applied Craft + Design Thesis Works